Review: “The Boy is Gone: Conversations with a Mau Mau General”

The Boy is Gone: Conversations with a Mau Mau General is a wonderful, highly readable book. The book is a compilation of thousands of hours of interviews with Japhlet Thambu by Laura Lee P. Huttenbach. Huttenbach first met Japhlet, or the General, whilst traveling in Kenya as a recent college graduate. Struck by his rich personal history in living through British colonialism, Mau Mau, and liberation, Huttenbach returned to Kenya for the purpose of recording the General’s life story. The General’s testimonial joins the number of other oral histories reported from the Mau Mau, most notably in Caroline Elkins’ work. This collection of histories is vital, given the volume of written documentation either inaccessible or destroyed from the Mau Mau era. Whilst Professor David Anderson and others have helped bring a large number of previously ‘missing’ documents in the colonial archive to light, even these recordings of the time period are heavily biased to the British version of events.

The important work of recording Kenyan voices is brought to bear in Huttenbach’s excellent compilation: the General’s retelling of the Mau Mau period is highly vivid and complex. He is balanced in his narrative, bringing up challenging moments in the movement like the Lari camp massacre, and criticizing some of the more ‘vigilante’ elements of Mau Mau. The General carefully explains his involvement in Mau Mau, arguing repeatedly that this was about land and the rights of the indigenous Kenyan, but decrying any ruthless or senseless violence. In the General’s memories of colonialism, he is also careful to note those Europeans who helped him, who were ‘friends’ of Kenya. This pivoting between multiple sides is interesting, and demonstrates the highly pragmatic ways in which the General was forced to negotiate his position in a highly unequal society. When describing his profits from the illegal timber trading business, he recognizes the absurdity of colonial rules which limited African business pursuits, continuously reinforcing an artificial economic hierarchy based on race, but was careful to note when the dangers of the illegal trade were no longer worth the risk. The General actively resisted colonialism, but at times was also forced to comply with its rules in order to secure his livelihood and the safety of his family.

Even in Mau Mau, the General concedes that he quickly confessed to taking the Oath when placed in the infamous Manyani prison camp. This exonerated the General and allowed him to move down the detention ‘pipeline’ more quickly than other more ‘hard-core’ Mau Mau who refused to confess or cooperate. The General describes again the practicality of moving forward, peacefully. Having spent two years in the forest, fighting for the rights of Kenyans against colonial rule, the General felt he had contributed directly to Kenya’s independence. At the same time, he feels no need for compensation for his time in the forest, and is happy to govern his farm and business pursuits in peace.

To hear the General recount these life experiences is truly absorbing, and will benefit both scholars of Kenya and the lay public. As part of the Ohio University Press’ Africa in World History series, this volume helps expand narratives way from the Western-centrism of traditional history. The Boy is Gone helps place the telling of history away from the victors, demonstrating the ways in which racial biases have distorted our understanding of the world, especially Africa and colonialism. My one regret for the book is echoed by Huttenbach herself in its introduction: I want a companion volume recounting the life of Jesca, the General’s wife. Unfortunately Jesca would not go into detail about her own involvement and eventual detention for Mau Mau activities, though this would be a compelling companion to the General’s history.

Book details: Laura Lee P. Huttenbach. The Boy is Gone: Conversations with a Mau Mau General. Ohio University Press (2015). http://www.amazon.com/The-Boy-Is-Gone-Conversations/dp/0896802914

A review copy of The Boy is Gone was kindly furnished by the Ohio University Press. 

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Review: James McCann’s “The Historical Ecology of Malaria in Ethiopia”

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James McCann’s newest book on malaria, agriculture, and ecology in Ethiopia is a superb and rich study. McCann helps fill many gaps in scholarship, including the grossly overlooked history of medicine in Ethiopia. The book narrates malaria in Ethiopia in both the past and present, demonstrating how this ever-evolving, clever disease has shifted with the ecological and political landscape of the nation. To understand malaria today, McCann rightly demonstrates how an exploration of the past is essential. Unfortunately, there is very little written about Ethiopia’s medical history – Kloos and Zein’s Ecology of Health and Disease in Ethiopia (1993) is the most useful volume in an otherwise bleak academic landscape. McCann’s new study is a welcome start to what should be an expansion of research on past efforts to combat disease and install an effective public health network in the country. Because of Ethiopia’s unique ecological and political character – a highland nation, free of a colonial past – the challenges faced are unique in comparison to other African states. McCann’s rigorous exploration of Ethiopia’s ecological and agricultural histories, both in this and previous books, provides refreshing insights into this singular landscape.

While this study is especially insightful for scholars of Ethiopia, it also provides a rigorous exploration of the failures to account for local ecology in the planning of disease management and control. This is a lesson worth exporting far outside both Ethiopia and even the specific case of malaria. McCann repeats often in the book how malaria is a deeply ‘local’ disease: the ways in which mosquitos breed and prey on human populations varies considerably based on ecological and political landscapes. While malaria ‘eradication’ efforts in the past century have been forged on a global scale, most notably with DDT spraying and bed-nets, such efforts have all fallen severely short of their goals, largely because of the highly adaptive nature of the disease. There is no ‘one-size-fits-all’ approach to malaria eradication, and in some cases, the insertion of development programming itself can increase the risk of disease.

Indeed, one of the most striking findings in the book is the relationship between increased maize production and the spread of malaria. McCann describes how mosquitoes thrive off the seed fall of maize plants, leading to a dramatic increase of malaria risk in highland zones of Ethiopia that were previously largely immune to malaria due to altitude. Large-scale maize production has been touted by international organizations as an answer to hunger and poverty in Africa, but this clearly has dangerous unintended consequences to the ecology of disease.

McCann’s work is truly a must-read for experts in many fields, from public health, agriculture, and history, to politics and development. This book is a brilliant demonstration of the deeply local and highly adaptable nature of disease and mortality, and the ways in which the historical ecology of disease effects household decision-making and trends in food production and economic development on a national scale.

Book details: James C. McCann. The Historical Ecology of Malaria in Ethiopia. Ohio University Press (2015). http://www.amazon.com/Historical-Ecology-Malaria-Ethiopia-Deposing/dp/0821421476/ref=sr_1_1?s=books&ie=UTF8&qid=1449160837&sr=1-1&keywords=ecology+of+malaria+in+ethiopia

A review copy of The Historical Ecology of Malaria in Ethiopia was kindly furnished by the Ohio University Press. 

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Review: Bereket Habte Selassie’s new ‘Short History’ of Emperor Haile Selassie

51bVLS-3yhL._SX310_BO1,204,203,200_Bereket Habte Selassie begins his short history of Emperor Haile Selassie with a caveat: he served in the late Emperor’s cabinet for over twenty years, both as Attorney General and in other ministerial offices. Given the author’s connection to Haile Selassie, it is not surprising that his biography of the independent Ethiopian ruler has tendencies towards hagiography. The numerous studies written on Haile Selassie so far have largely been divided into two camps: positive praise of the Emperor as visionary monarch, and detracting criticism of an autocratic ruler. While his personal approval of the Emperor is evident, Bereket largely manages to evade this polarized historiography, attempting to, in his words, provide a ‘well-rounded’ history of Haile Selassie, describing both his triumphs and failures in ruling independent Ethiopia in the pivotal moment of Africa’s decolonization.

The volume is part of a new series of ‘Short Histories of Africa’ by the Ohio University Press. This is a promising series to help introduce the varied history of the African continent to a wider audience. Because of the brevity required in this series, Bereket cautions that he had to omit a great deal of history from his telling of Haile Selassie’s history. It is unfortunate, however, that he mostly omits the meaty history of the Emperor’s rule in the 1950s and 60s, concentrating largely on his long rise and fall from power. The first half of the book concentrates on the early years of Haile Selassie’s life, as Ras Tafari Makonnen, and the fraught power struggles which characterized his ascension to the throne. While this is in an interesting history, given the length of the book, it could have easily been summarized to make room for more discussion of the Emperor’s actual decades of rule.

Bereket focuses on Ras Tafari’s power struggles at such great length largely because he believes they help explain why Haile Selassie as Emperor became fixated on defending his autocratic right to reform the empire. Bereket describes how Haile Selassie failed to live up to early promises to adequately reform the nation’s most destructive practices, including land tenure. He argues that because Ras Tafari had to struggle against so many conservative forces in pushing a reformist agenda through in his ascension to the throne, once Emperor, Haile Selassie felt convinced the modernization of Ethiopia was his own personal responsibility. This short history of Haile Selassie therefore falls in line with the general historic consensus, led by Bahru Zewde, that while Haile Selassie was a necessary force for reform in Ethiopia in the 1930s and 40s, his usefulness wore thin by the second half of the twentieth century. In continually seeking power and refusing to instill a proper democracy, the Emperor largely failed his populace, leading to his inevitable overthrow in 1974. Bereket describes this history carefully, at once admonishing the late Emperor for autocratic measures like annexing Eritrea with no respect of international law, while also praising Haile Selassie’s overall vision to modernize Ethiopia as an “enlightened monarch.”

Bereket doesn’t question the concept of “modernization” itself within Ethiopia, largely agreeing with the superficial dictum which pits Haile Selassie’s “progressive” retinue against a “traditional” and even “backward” past. This lack of reflection is unfortunate, as there is much debate on the merits of modernity as a measure of “progress” in Africa at large. At the same time, anyone searching for a quick introduction to Ethiopia’s fascinating history could happily turn to Emperor Haile Selassie as a starting point. There is enough meat here to examine the history of the one “true independent African country,” written from the perspective of one of its elite history-makers.

Book details: Bereket Habte Selassie (2015) Emperor Haile Selassie. Ohio University Press. http://www.amazon.com/Emperor-Haile-Selassie-Histories-Africa/dp/0821421271

This review was kindly furnished by Ohio University Press.

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‘Do They Know It’s Christmas?’…and other dumb questions

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Image courtesy of Reuters

It’s been 30 years since this ridiculous excuse for a song was released. What have we learned in that time? Apparently nothing. Sometimes, if I’m in a particularly forgiving mood, I can come to a place where I understand the social and political context that would make someone in 1984 believe that releasing this song could be anything more than criminal noise pollution. But it’s really hard to forgive when you’re never allowed to forget! Every year I am thrown into an existential fit when I find myself in a car or shopping centre and this song begins to play. As the nausea sets in, I look around and wonder…is anyone else listening to this? Can you hear what they are saying? Is the DJ a robot? Is this real life?!

There’s a world outside your window, and it’s a world of dread and fear Well tonight thank God it’s them instead of you And there won’t be snow in Africa this Christmastime Oh where nothing ever grows, no rain or rivers glow Do they know it’s Christmastime at all?

This song, the context that produced it, and its legacy since then is an incredibly rich case study of all that is wrong with Western-led humanitarian discourse and practice. It all began with the famed BBC broadcast of Ethiopia’s famine on October 24, 1984, which reached an audience of over 470 million people worldwide. The broadcast included Michael Buerk reporting that it was “the closest thing to hell on earth”, a statement which was then complemented by Mohamed Amin’s graphic images of dead children and desolate land. The broadcast inspired a number of global fundraisers including Live Aid, which gave birth to the recording Do they Know It’s Christmas? And raise funds they did – millions of dollars in fact. But to what end and at what cost?

Famine is a horrible thing, and the conditions that allowed it to occur and exacerbate in Ethiopia included a deadly mixture of unfavourable climate conditions in the North, political wilful blindness, and a complicated game of diplomatic chess. However, media and pop culture representations of the famine depicted the food crisis as a biblical plague swept over a nation that didn’t see it coming and hadn’t a darn clue of what to do about it. The result was not public political awareness, but rather, a unanimous sense of dumbfounded shock and horror. As it turned out, there was a lot to be gained from masking the complexity of the issue and playing on the consciences of the Western middle class masses. ‘All you have to do is buy this record’, ‘all you have to give is a dollar a day’, ‘just text SAVE to 5050’. It is a tantalizingly simple solution to what is constructed as a hopeless but simple problem.

Live Aid gave birth to a form of populist humanitarian response that continues to raise millions of dollars worldwide. The reckless abandon that often ignites these campaigns is usually a guarantee that both the messaging and funds will be handled irresponsibly. Much has been said, and said again about the effects Western media representations have had in dehumanizing people from the African continent and shaping problematic foreign and domestic policies. Yet here we are, in November of 2014, just days after Bob Geldof excitedly announced that he will be remaking his horrible song with a new band of bright eyed pop stars – but this time in response to the Ebola outbreak. ‘Buy the song. Stop the virus. It’s just that easy.

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Now some will quip, isn’t it better to do something rather than nothing? No. That mentality has, and will always remain, more to do about our need to feel good about ourselves than our desire to affect positive change. Social action is important, and North-to-South solidarity is possible, but only when our concern is matched with a commitment to stay informed and act responsibly. There are groups and individuals on the continent with ideas, solutions and opinions that deserve to be heard, but that will require the likes of Bob Geldof and company to pipe down.

Every year, over 600,000 people die from heart disease in the United States, costing the nation over $108.9 billion annually. The main causes include diabetes, obesity, and poor diet, which are indicative of social, political and economic issues indigenous to the U.S. There are a number of organizations, initiatives and campaigns established to raise awareness and funds for heart disease, however none of them have seemed to require the offensive, parochial and sensationalized tactics used for African issues. Imagine that.

Bob Geldof’s BandAid30 might just be another ill-informed and well-intentioned initiative (if you look at it under really really flattering lighting), or perhaps a publicity stunt with a healthy dose of self-righteousness. However suspect, the motivations of these artists are simply not the issue at hand. Thoughtless media representations will continue to wreak havoc on Africa long after Ebola has subsided, just as they continue to do so thirty years after the famine. Thankfully, it is no longer 1984, and technological advances have created a number of global platforms for counter-representations from the Continent to stand upon. Unfortunately, there is still a fundamental power imbalance that means that these alternative – and far more relevant – perspectives will have to struggle to be heard.

So BandAid30…clear the airspace, pause, listen, then respond – or please don’t respond at all.

Alpha Abebe

@alphaabebe

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Kenya’s security crackdown and the politics of fear

By Anna Bruzzone 

Kenya Army Vs. Al Shabaab (Thanks to Gado Cartoons)

Kenya Army Vs. Al Shabaab (Thanks to Gado Cartoons)

 

Since the beginning of Operation Usalama Watch, on April 2, Kenyan authorities have sternly maintained that the ongoing terror swoop is not targeting any specific community and have called on all Kenyan citizens to support it. National media have mostly served as the government’s sounding board in what is depicted as an unprecedented effort to flush out terrorists and their sympathizers from the midst of Kenyan society. The conflation of terrorism and immigration issues has been emerging as the backbone of a policy of fear that aims to separate “genuine” Kenyan citizens from internal enemies and has been successful in polarizing public opinion. The ongoing security crackdown risks not only benefiting al-Shabaab, but also restricting the scope of citizenship and democracy in Kenya, which is likely to engender further tensions and contribute to instability in the region.

Troubling situation on the ground

Operation Usalama Watch started on April 2, when the police arrested 657 people in Nairobi’s Somali neighbourhood of Eastleigh, following three blasts in the area on March 31 in which six people died – among them were two Somalis. A week earlier, an attack by armed gunmen on a church in Likoni, in Mombasa County, had left six people dead. It remains unclear who perpetrated these attacks: Al-Shabaab hasn’t claimed responsibility for any of them. Over the last three weeks, more than four thousand people have been arrested in Eastleigh – most of them are “ethnic” Somalis (Kenyan-Somalis, Somali refugees or “aliens” from Somalia, and Somalis with foreign passports) – and 173 suspected illegal immigrants have been deported to Mogadishu. According to figures released by the police and published by the Daily Nation on April 17, 1136 suspected illegal immigrants, most of them Somalis (782) and Kenyans (247), were screened at Safaricom Stadium in Kasarani between April 4 – the stadium was gazetted as a police station five days later, on April 9 – and April 16. Since April 18, 281 refugees have been deported from Nairobi to Kakuma and Dadaab camps. These alarming numbers, however, are only part of the story.

During the security crackdown, which was conducted first in Eastleigh and then in the Nairobi neighbourhoods of South C, Lang’ata, Kawangware and Kasarani, security forces raided houses at night without search warrants, asking for bribes, looting cell-phones, laptops and gold jewelry, harassing people, and arresting those who were unable to “buy their freedom”, according to dozens of testimonies we collected in Eastleigh’s main shopping malls (Madina, Amal Plaza, Eastleigh shopping centre, and Garissa Lodge) on April 14 and 15. At one point, more than six thousand security forces – Administration Police (a paramilitary security unit), General Service Unit (a paramilitary wing of the Kenyan police), and blue grey berets (Kenya Air Force, from Moi Air Base) – swooped on Eastleigh.

According to dozens of personal testimonies we collected, from women, men and teenagers, people were arrested randomly, on the streets, in shopping malls and during home raids at night, no matter what type of identification document they had: Alien card (either valid or expired), Kenyan ID, refugee mandate, papers attesting the person’s ID was being processed/renewed, foreign passport with a valid visa, or no papers at all. According to the same testimonies, any identification document was liable to be dismissed by security officers as fake if the holder refused or was unable to pay a bribe. Bribes were said to be proportional to the ID’s type: a small bribe for a Kenyan ID and a big one for a refugee mandate or an Alien card.

We also collected numerous stories about people who were detained without being prosecuted at Kasarani Stadium, Pangani and other police stations beyond the 24-hour limit fixed by Kenyan law. Heavily pregnant women, as well as women with newborn and very young babies, were among those who were detained. Inside Madina Mall, on April 14, three shops were closed as their owners, three young women aged seventeen, nineteen, and thirty (the latter with a two-year-old child), had been deported to Mogadishu on April 9 as illegal immigrants after having been detained at Kasarani stadium. One of the two younger women arrived in Kenya with her family when she was a kid while the other one was born in Kenya. The thirty-year-old woman is an Ethiopian-Somali who had never been to Somalia before. Among those who were detained, there was also a Kenyan-Somali journalist (name withheld) who was arrested as soon as he tried to film detainees inside Kasarani stadium. The journalist, who had manage to sneak into the stadium after security officials had denied him access, was detained for three days, first at Kasarani before being transferred to different police stations, even though he had a valid ID. He reported of people being humiliated, deprived of basic care, and of suffering women and sick children being denied treatment.

In its latest report, Human Rights Watch has strongly criticized the ongoing security crackdown, accusing Kenya’s security forces of mistreating Somalis and denouncing very poor detention conditions at Pangani police station. On April 18, the police confirmed the death of a woman, later identified as forty-year-old Seynab Bulhan from Eastleigh, who was awaiting deportation at Jomo Kenyatta International Airport. Kenya Police Service spokesperson Zipporah Mboroki denied it happened in police custody, but gravediggers affirmed the police escorted the body to the Muslim cemetery in Kariokor, where it was buried at night. Fear and unpredictability have been the prevailing feelings in Eastleigh for the last three weeks; the very same feelings that Somali refugees and “aliens” had been trying to escape by leaving their country.

Playing on fear, polarizing society: a risky game

Kenyan authorities have dismissed criticism of the ongoing swoops by describing it as ungrounded “claims” by “a section of the public”. At the same time, unconditional support for the government’s security policy has been turned into a matter of loyalty. At the beginning of the operation, on April 4, speaking at a pass-out parade of hundreds of new police officers at the Kiganjo Police training College in central Kenya, President Uhuru Kenyatta stated: “A lot has been said and we will not talk any more. All we are requesting is for Kenyans to back us in whatever we are going to do”. On a similar note, on April 5, reiterating that no community was targeted in the swoop, Administration Police spokesman Masoud Munyi pointed out that “any right thinking Kenyan should in fact be happy about the move by the police to get rid of criminals”. Mr. Munyi also dubbed accusations that the police conducting the swoop were taking bribes and harassing residents as “false” and “meant to tarnish the image of the police force”.

Although the approach adopted by Kenya’s security forces in conducting the crackdown is not new, the communication dimension of Operation Usalama Watch is quite unprecedented, more reminiscent of Kenya’s state-controlled media in the 1970s and 1980s. On the Heels of Terror, a “documentary on terrorism” prepared by the National Police Service and aimed at solidifying support among Kenyans for the ongoing security operation, aired in prime time on all major TV stations, KBC, KTN, Citizen TV, K24 and NTV, on April 15 and 16. Featuring thrilling background music and a gripping voice over, the two-part video was a eulogy of the Kenyan police. It praised the rapid and effective response of security forces to the Westgate attack, without the slightest reference to the blunders, looting and friendly fire that were exposed by some media. Terror attacks in Kenya were largely portrayed as a clash of religions – “Where is your freedom of worship?” wondered Eric Kiraithe, a security expert and serving police officer in the “documentary” ’s first episode – overshadowing the fact that Muslims and Somalis were among the victims of the Westgate attack, as well as of the grenade attack on Machakos bus station in March 2012 and the attacks in Eastleigh over the last two years. Four words, written in big white capital letters on a black background, were described as the connections between the perpetrators of the Westgate attack: Al-Hijra (Kenya’s Al-Shabaab affiliate), Al-Shabaab, Somalia, and Al-Qaeda. De facto, Somalia was equated with three terrorist organizations. The enemy-from-within rhetoric was the most salient feature: “That man you knew can take up a firearm and be the terror next door”. This argument was used to justify exceptional measures as “terrorism is not like any other ordinary crime” – the key message being: “It’s high time we say enough is enough”.

Newspapers also contained pieces lending support to Operation Usalama Watch. In an opinion piece published by the Daily Nation on March 20, Mutuma Mathiu, Managing Editor at Nation Media Group, wrote: “every little, two-bit Somali has a big dream to blow us up, knock down our buildings and slaughter our children”. Mr Mathiu’s conclusion for the article was: “We are at war. Let’s start shooting”. On April 11, the Daily Nation published a vitriolic piece by the newspaper’s columnist and satirist Kwamchetsi Makokha, in which the author directly linked the eighty-four terror-attacks that have gone off in Kenya since 2011 to the presence of Somalis in the country. Mr. Makokha blamed the Kenyan government for allowing “these relatives of al-Shabaab to invest in the country, constructing tall buildings, trading and practicing their religion oblivious of the poor pay the police receive”. The author also made allegations in relation to the “true loyalties” of both Somali refugees and Kenyan-Somali citizens: “Kenya has continued to host thousands of Somalis in camps, where, overfed on rations, they plot how to harm their hosts. (…) Some have even acquired primary and secondary school certificates and university degrees to give the fiction of their Kenyan nationality a veneer of believability, but they do not fool anybody about where their true loyalties are”. Although Mr. Makokha did emphasize later that it was satire, the decision to publish such a piece in the current context was irresponsible to say the least. In fact, most readers did not recognize the satire – it did not go far enough beyond the reality of the current political climate in Kenya.

The fact that Kenya’s leading newspaper agreed to publish such opinion pieces, containing clear incitements to ethnic hatred, is a wake-up call. This call, however, has remained unheard by the Chairperson of the National Steering Committee on Media Monitoring, Ms. Mary Ombara. On April 16, responding to social media reactions to the security swoops in Nairobi, Ms. Ombara (who is also the Director of Public Communication at the Information and Communications Ministry) condemned the “hate speech on the ongoing police crackdown on crime and illegal immigrants” and labelled it as “a threat to national security and cohesion”, but she didn’t raise any concern with the highly controversial opinion pieces published by the Daily Nation. By polarizing (manipulating?) public opinion, the communication dimension of Operation Usalama Watch risks jeopardizing Kenya’s social fabric.

The Kenyan government has used the threat of the internal enemy to justify the ongoing police crackdown. Even more problematically, the rhetoric of the enemy from within, which is a corollary of the terrorism-immigration nexus, is being used to shape and promote a particular notion of the “good citizen”, i.e. the one who is supportive of his government, whatever it does. Following this logic, the risk for critics of being labelled as enemies is just one step away. In this context, the government’s proposal to register all citizens afresh in a new digital database, which was publicly announced on April 15, sounds controversial. According to Interior Cabinet Secretary Joseph Ole Lenku: “We must know who is a Kenyan and who is not” – here is the real million-dollar question.

Political myopia and worrisome implications

From a political perspective, Operation Usalama Watch is likely to further marginalize and alienate citizens in Kenya’s poorest areas, namely the Coast and the North. In these areas, the presidential vote went largely to Raila Odinga during the latest elections, in March 2013. The Coalition for Reforms and Democracy (CORD) leader, who is currently attending a two-month political forum in the US upon invitation by the African Presidential Centre of Boston University, has repeatedly condemned the security crackdown in Nairobi over the last three weeks. Mr. Odinga urged the Jubilee government to halt “the indiscriminate harassment of a particular community”. He also warned the government not to engage in acts that mirror the manner in which Kenyans were handled during Britain’s repression of the Mau Mau uprising and the Wagalla massacre in which hundreds of Kenyan-Somalis were killed by Kenya’s security forces in 1984. Raila Odinga, who formally accepted the Supreme Court’s endorsement of official election results in 2013 but has continued to claim he was a victim of wrongdoing, might benefit politically from this ill-advised security crackdown.

Although the government’s policy of fear has been successful in overshadowing the mean achievements of the Jubilee Alliance in combating corruption and improving basic standards of living, the ongoing swoops may deepen the rift between President Uhuru Kenyatta and Deputy President William Ruto. The latter’s United Republican Party (URP) did especially well in the North in the latest elections, namely in Mandera, where successful electoral politics strategies led to a swing to the Jubilee Alliance. According to interviews with local journalists, during a meeting with Kenyan-Somali MPs in the days immediately preceding the beginning of Operation Usalama Watch, President Uhuru Kenyatta blamed the impending crackdown on Deputy President Ruto. According to the same sources, when the National Assembly Majority Leader and Garissa Township MP Aden Duale threatened to withdraw support for the Jubilee government on April 4 over what he termed arbitrary arrests of his people and a section of North Eastern and Muslim MPs threatened to do the same a few days later, Uhuru Kenyatta reiterated that Mr. Ruto was pressuring him,. This political game might cost dear to the Kenyan President, especially because Raila Odinga is eager to see the Jubilee Alliance collapse.

The silence of the international community (with the exception of the UNHCR, which has repeatedly expressed “concern” over mass arrests and the ongoing crackdown on Somalis) may be interpreted in at least two different ways: either Kenya’s anti-terror strategy has succeeded in changing the fortunes of Kenyatta and Ruto, drawing them closer to western governments, or, these same governments are waiting for the Jubilee Alliance leaders to get bogged down and drown in their own mistakes – which might revive the ICC cases against them. The op-ed “Graft is Kenya’s Achilles’ heel”, which was signed by seventeen Chiefs of Mission in Kenya (among them were the British High Commissioner and the US and Europe Ambassadors) and published by the Daily Nation on April 13, devoted only two short paragraphs out of twenty-two to security issues. Instead of criticizing the swoops, the Chiefs of Mission stated that “the best way to combat terrorism” was to have “well-trained and honest security forces” and that international partners were “ready to help” Kenya achieve that goal. This statement seems to be very much in line with what has been western governments’ approach to security and anti-terrorism in Kenya for the last decade. The ongoing security crackdown, however, should raise questions about the validity and effectiveness of this approach.

The weak response of the Somali government in the face of the ongoing crackdown has further undermined President Hassan Sheikh Mohamud’s popularity, which is at its lowest level since September 2012. The Somali President, who visited Nairobi on April 7, and attended the reception of Kenya Airway’s first Dreamliner jet at Jomo Kenyatta International Airport with his Kenyan counterpart, didn’t make any public statement on the crackdown on Somalis and was blamed for continuing his busy foreign travel schedule as if nothing had happened. Villa Somalia’s silence and the controversial role of Somalia’s Ambassador to Kenya Mohamed Ali Nur “Americo” – who has been blamed for acting as a “broker” and standing on the side of the Kenyan security forces, rather than with his people – have fuelled a conspiracy theory over the cause of this complacent attitude, suggesting that the Kenyan and Somali government might have a hidden agenda over the Jubaland issue. President Hassan Sheikh Mohamud may already have too many problems at the domestic level – he is also at loggerheads with the Prime Minister, Abdiweli Sheikh Ahmed – to be willing to engage in a diplomatic battle with Kenya. Whatever the reason might be, this lack of sensitivity and political acumen is severely undermining the Somali government’s credibility and serving al-Shabaab’s interests.

From an economic perspective, if the current trend of plummeting business revenues in Eastleigh continues, not only the Somali community, but also Kenya’s economy, at both the national and regional level, will heavily suffer. Eastleigh is a commercial hub for East-Africa, which provides goods and services to local and regional consumers at prices well below the market average. Somali investment, which has been constantly increasing in Kenya for the last two decades, has significantly contributed to the growth of Kenya’s economy.

From a security perspective, the opacity that has characterized the response by Kenya’s security apparatus to terror attacks since 2011 can hardly contribute to rebuild public confidence in security forces. Without a serious security sector reform, the current surge in number of police and paramilitary officers – in the month of April alone, about seven thousand new officers have joined the police force – is unlikely to yield fruit. In the face of the ongoing crackdown, Raila Odinga publicly wondered why “the government has inexplicably refused to form an inquiry into how the attackers in Westgate got there”. Former Deputy Speaker and Lagdera MP Farah Maalim stated on Citizen TV that the Kenyan government knew more than it was saying about the recent terrorist attacks and wanted to blame Somalis to distract attention – this seems to be a widespread conviction among numerous Somalis and Kenyan-Somalis, who hold this as a fact. Summoned by the Anti-Terrorism Police Unit on April 17 to respond to allegations that his remarks on Citizen TV constituted hate speech, Farah Maalim maintained his position and added that the approach the government had taken to fight terrorism would escalate the situation.

Although it is difficult to determine and assess the different political agendas, one thing is clear: al-Shabaab is the likely winner – as Cedric Barnes, Crisis Group’s Horn of Africa Project Director, rightly pointed out. The ongoing crackdown on Somalis, the merger of terrorism and refugee issues, as well as Kenya’s social polarization and democratic erosion are benefiting al-Shabaab, both militarily and politically. All these factors are likely to increase, instead of reducing, the terror threat in Kenya, which is very serious. Moreover, they risk fuelling dynamics of violence and conflict in the region. By playing on fear, the Kenyan government is playing with fire.

 

Anna Bruzzone is a Junior Research Consultant at PRIO and PhD candidate at the University of Warwick.

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Shifting Sands: Babanusa to Abyei 1953/54

An exhibition exploring the visual history of Abyei, recently opened at the Oriental Museum in Durham. The curator, Zoe Cormack, explains what photographs can tell us about the history of this contested region.

Shifting Sands is an exhibition of Ian Cunnison’s photographs from Sudan, taken during his ethnographic research on the political culture of the Misseriya-Humr between 1952 and 1955. The Misseriya annual migration goes from the edge of the desert in Kordofan to Abyei, where Dinka communities plant crops and graze their own cattle. This region lies on what is now a contested international border between Sudan and South Sudan; Abyei is currently claimed by both states. As part of the peace process that led to South Sudan’s independence there was supposed to have been a referendum in Abyei to determine which country the region would join. This never took place, hampered by disagreements over who had the right to vote. In October 2013, the Dinka community held a unilateral referendum. The Misseriya refused to participate and the ballot took place before, on their annual migration, they had reached the contested region.

Image‘Horse with Anthropologist’

Ian Cunnison (1923-2013) was an important figure in British and Sudanese anthropology. In 1959, after his research in Kordofan was finished, he moved back to an independent Sudan with his wife, Sheila to set up the department of social anthropology at the University of Khartoum. Even after he had returned to England, to take up a position at the University of Hull, he remained closely engaged with Sudanese scholars. During his retirement, Cunnison’s study of the Misseriya took on an entirely new significance. His work was used by lawyers representing both Sudan and South Sudan on the International Tribunal at The Hague to determine the boundaries of Abyei. Cunnison himself was called to give evidence to the court; a sharp reminder that the political significance of academic research can change dramatically.

The exhibition follows the 1953/1954 migration of the nomadic camp of the Omda (chief) Hurgas Merida, with whom Cunnison lived during his fieldwork. The camp moved around 60 times a year; four modules of photographs show different stages of the seasonal migration between the Babanusa in the north, to Abyei further south. It is a sophisticated cultural means of exploiting Sudan’s extreme environmental conditions. Photographs of the migration are interspersed with portraits of members of the camp that explore relationships – both within the camp and between neighbouring communities – in particular the Ngok Dinka in Abyei. These are also striking pictures of everyday life, indicating a familiarity between subject and photographer, which make them quintessentially the product of a close ethnographic relationship.

The photographs tell a unique visual story of inter-ethnic relationships in this frontier zone. Through portraiture and ethnographic details taken from Cunnison’s published work, the exhibition explores these complex dynamics in the camp in the mid 1950s. One portrait that reveals the intricacy of genealogical connections is of a man called Sheybun, the half brother of Hurgus Merida (who was the leader of the camp). Sheybun was one of Cunnison’s closest informants and a good friend (there several photographs of him in the exhibition). Cunnison describes Sheybun as ‘fey’, a carefree and engaging character. Before Cunnison’s research Sheybun had divorced his wife, but he had had a change of heart and was trying to raise the cattle needed to remarry her. One of the people helping him was his mother’s brother, El-Ju, a man of Dinka parentage and one of Hurgas’ closest friends. Sheybun himself was half Dinka. As we learn from Cunnison’s ethnography, several members of the camp were the descendants of Dinka slaves, others where descended from free men who became associated with the camp.

ImageSheybun

Despite the evidence of a recent history of slavery between the Dinka and Misseriya, Cunnison’s photographs capture a time in Abyei that many remember as a time of peace. In 1951 Deng Majok, the paramount chief of the Ngok Dinka had been asked by the colonial government if the Ngok Dinka should join the Southern provinces. He decline and opted to stay in the administration of Kordofan. During this period, Deng Majok sat with Misseriya leaders on the El Fula Rural Council, which Cunnison described as ‘a sphere of apparently friendly and fruitful cooperation between the north and south of the county’. At this time relationships were relatively good; but the situation would change dramatically from the 1960s as civil war began spread into Abyei.

The last photograph in the exhibition is of men from Deng Majok’s court visiting the Misseriya Nazir Ali Nimir at a camp near to Lau (in the Abyei region). The Dinka visitors recline on deckchairs, while Misseryia men sit on mats on the floor. Cattle graze in the background and the Nazir studies a piece of paper. This is not the most visually stunning of Cunnison’s photographs, but it is one of the most lingering: a tantalizing reminder that workable local relationships in Abyei have, in the past, been possible.

ImageMen of Deng Majok and Nazir ‘Ali Nimir in a camp at Lau.

This exhibition marks the donation of the papers of Ian Cunnison to the Sudan Archive at Durham University and is funded by The Centre for Arts and Visual Cultures at the University of Durham.

Shifting Sands: Babanusa to Abyei 1953-1954 is at The Oriental Museum in Durham from 4th April to 4th October 2014.

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Refugee Boy – A Review

Refugee BoyBy Alpha Abebe

As I stood in line ready to enter the Oxford Playhouse, I overheard the conversation between the staff person collecting tickets and a father and daughter who stood before me in the line. She warned the father that she was advising all guests with children that the play included strong language and difficult situations. Undeterred by the warning, the man smiled politely, lovingly put his hand on the shoulder of his adolescent daughter and proudly proclaimed, “That’s alright, she read the book. And she’s lived in Africa before, she’s seen real refugees”.

Refugee Boy is a theatre production based on the teen novel written by Benjamin Zephaniah and adapted for the stage by Lemn Sissay. The story follows Alem Kelo, a fourteen-year-old boy of Ethiopian and Eritrean descent who is seeking asylum in England. Before coming to England, Alem and his parents were forced to move between Ethiopia and Eritrea as the border war intensified and identity politics devolved into increasing violence. After managing to find a way to travel to the UK, Alem’s parents decide to leave him to be cared for by the British state as they continued their peacebuilding efforts in East Africa, and with the hopes that they would be reunited some day. After a difficult time in a children’s group home, Alem is eventually placed with a foster family, where much of the story then unfolds.

Anyone familiar with the work of Lemn Sissay will notice his fingerprints through the rhythm and poetics of the characters’ dialogue. I have admittedly not read Benjamin Zephaniah’s original novel, but I imagine much of the grit and humour in the play can be attributed to Lemn’s adaptation. Lemn Sissay is a British poet and author of Ethiopian and Eritrean descent. Much like the play’s protagonist, Lemn grew up in the British foster care system after he was given up by his birth parents. I am certain that Lemn had a compendium of memories to draw from as he helped to tell the story of a young boy coming of age in a state of flux, uncertainty, and adversity.

“Your country don’t want you, nobody wants you. Refugee boy. Say it! Refugee boy!”

“DON’T CALL ME REFUGEE BOY! MY NAME IS ALEM!”

This scene happens early in the play, as Alem tries to fight off a bully at the children’s home he is initially placed in. Ultimately his is pinned down, runs out of options, and is coerced into saying it. I am a refugee boy, he says in defeat. Moments later, in a dream-like vignette, Alem recites: “Ask me who I am again. Ask me where I’m from”. It is this tension between Alem-the-person and Alem-the-refugee that gripped me the most throughout the play. Alem fights vehemently to assert his individuality – refusing to abbreviate his name, preserving the memory of his homeland, and proclaiming his appreciation for Charles Dickens. He is however simultaneously thrust into the legal political bureaucracy that is the refugee adjudication system, where he must fight to be recognized as a refugee in order to earn his safety and freedom.

My mind drifted back to the father and daughter at the entrance to the theatre. “She’s seen real refugees.” In the moment, I was instinctively put off by what I’m sure was meant as an innocuous and reassuring comment by the father. But at the end of the play, I was also struck by the irony of the fact that Alem spent so much effort trying to resist the homogeneity and objectification that so often accompanies the label ‘refugee’, yet it was exactly the ‘refugee experience’ that we came to the theatre to see.

The Horn of Africa is a diverse region whose history has been punctuated by years of protracted conflict and rapid social and political change. While ‘refugee’ serves as a useful analytical and legal term to refer to the millions who have had to flea their homes, Alem reminds us that each of these refugees are people with individual stories, ambitions, challenges, and lives.

The aristocrat who travelled to the US for university then decided to file for asylum status after the monarchy was overthrown. The young man from Eritrea full of hopes and dreams who boards a crowded boat destined for the Mediterranean seas. The young Somali girl sitting in a classroom in the same Kenyan refugee camp where she was born. These are all ‘real refugees’ in the strict sense of the term, but I imagine they’d all have very different stories to tell if we had tickets to see a play based on their lives.

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